I owned the original x100 and shot a lot of commercial work with it (loved the experience and the file quality that much).
Myself and many others on the Fuji forum () have talked about this in great extent for a very very long time. I suppose it depends on what one's standard of good is. For now enjoy the video and be sure to check out the links to see not only this shoot's images, but the rest of Vali's work as well. That's another article for another time though. Can you? Absolutely, so long as you understand and embrace it's purpose. Should you use a rangefinder on a studio session? Maybe so maybe not. It's not about the camera, it's about the eye behind it. This to me echos what every great photographer has said. Pairing it with the X-Trans II sensor and the Profoto lights gave me the freedom to work unconstrained.” But I have to say, the Fujinon lens is a very good piece of glass. I wanted the images to look as professional as possible and not just like some random snaps with a retro-looking camera.
IRIDIENT DEVELOPER DIGLLOYD FULL
The fast aperture was intended to emulate the looks and feel of a full frame system. I triggered the flashes with a PocketWizard Plus II and I could sync up to 1/500s at f/2 with no problems. The setup included Profoto lights, as I find them to be a very important factor for delivering professional results. “This camera is normally used for street photography and documentary-styled images due to its fixed 35mm lens, but I organized everything like I do when using medium format or DSLR cameras.
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